Nankin is a photographer, environmental artist and educator. His work examines the contested ethical, emotional and aesthetic meanings of the non-human world, of ‘place’ and ‘nature’. Under the shadow of the emerging global ecological crisis, this has become an enquiry into the affective and ontological space between wonder and Tragedy, which he calls an ‘ecological gaze’. Rather than picture the world seen by the naked eye or camera Harry prefers to employ the cameraless ‘photogram’or ‘shadowgram’ to reveal the abject, ambient, transient and invisible —
