The Bogong Centre for Sound Culture is a remote-regional cultural initiative situated in the foothills of Victoria’s Alpine National Park. Established by Philip Samartzis and Madelynne Cornish the B-CSC supports projects focusing on the processes and impacts of sustainable energy production; effects of climate change in wilderness areas; ethnographic studies of remote communities; the chronicling of vanishing industrial procedures; and systems of representation used to render natural and built environments.
Additionally, the B-CSC facilitates a broad cultural program comprising, festivals, exhibitions, publications, master classes and artists’ talks focusing on site-specific art practices. These programs establish a connection with place, its inhabitants, geographic space and memory. They engage a wide range of audiences, bringing together local, interstate and international artists across multiple disciplines and fields to realise ambitious works.
The B-CSC is situated at the newly restored old school at Bogong Alpine Village located 350 kilometres from Melbourne in North East Victoria.
Acknowledgment of Country
The B-CSC acknowledge the Dhudhuroa, Gunai, Taungurung, Waywurru and Yaitmathang peoples as the First Nations and Traditional Owners of the land upon which the Bogong Centre for Sound Culture is located. We pay our respects to the Elders, past, present and future for they hold the knowledge and traditions of the land and waterways upon which we depend.
About Bogong Village
Bogong Alpine Village is 325 kilometres North-East of Melbourne situated at an altitude of 800 meters in the Alpine National Park between Mount Beauty and Falls Creek. The village was established in the late 1930s to service the first hydroelectric scheme in mainland Australia. More recently it has become a popular site for alpine sports, recreation and ecotourism. Click here for directions.
A Short History
Work on the Kiewa Scheme commenced in 1938 with the construction of a road from Tawonga to the High Plains. Previously the only access was by foot or horseback along tracks that had been forged by cattlemen of a bygone era. Bogong Village was established once the road from Junction Camp was trafficable (March 1939); this paved the way for the construction of permanent buildings. Prior to that life was tough; large canvas tents and flies were used for sleeping quarters and smaller tents were set up to house the kitchens. By 1940 Bogong Township had grown considerably with a general store, staff offices, recreational mess, police station, and a variety of accommodation such as single men’s quarters and residences for married staff and families.
Bogong State School
In 1941 the Primary School at Bogong Village enrolled its first intake of students comprising nine pupils. Initially the school consisted of a large classroom, storeroom and boys and girls toilets. Extensions were carried out in 1944, which expanded the capabilities of the school. A library, storeroom, pupil’s lunchroom and shelter shed were added and rock gardens were established. By 1947 the number of students had grown to 46 all of whom were children of local SEC workers. Over the years class sizes fluctuated and the building remained unchanged. In 1980 it ceased to operate as a school and sat idle, eventually falling into disrepair. In 2004 it was sold along with many other buildings in the village.
Madelynne Cornish and Philip Samartzis bought the Old School and set about restoring it to its former glory. The rotting weatherboards and floorboards, smashed windows and flaking paint are now a distant memory. The newly refurbished building occupies it’s original footprint and bares a strong resemblance to it’s former self. Although the internals have been modernized remnants of it’s past history remain. The Old School once played a significant role in the fabric of village life. It inspired the community and helped shape the minds of those who studied there. It is our intention as custodians that the School once again functions as a place of inspiration.
Reference: Kiewa Kids School Days at Bogong & Mount Beauty by Graham Gardner
I stared at the ventilation grid high up the wall in the cabin for about 15 minutes. It was after around 3 minutes laying there staring, that I became conscious of what I was doing and it made me uncomfortable. Should I be making something instead or reading at least? The longer I contemplated the gridded rectangle, filled with regulated lines and hollowed out spaces however, I felt that this was exactly what I should be spending my time doing.
Noticing one aspect of the room made me appreciate others. A sunscreen bottle sitting on a plastic sheet surrounded by elastic hair bands gently curling and a far away light switch counter-balanced with the golden curve of a wooden chair. The composition of objects becoming apparent as the light from the window bent in across them. As the light of the day changes so too does my view and understanding of them I begun to realise.
I actually found a fantastic book all about light yesterday on the shelf at the BCSC, down and around a curve on the street from where I am staying in the cabin. The title of the book “Light: The Industrial Age 1750 – 1900” by Andreas Bluhm and Louise Lippincott. It contains almost all you need to know about light, from metaphorical to theoretical to more scientific discussions. As I read it late into the night however, I thought of two more aspects of light they could add to this heavy 242 page book. Now I only wished I had written it down however as the idea I had has now vanished.