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Burning questions (unanswered):
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re: sound design
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What is the minimum (rather than maximum) level of detail needed to create a convincing sound representation of fire, which effects vanish from perception when working on-site, and which need to mask with the environment in order to come through?
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Are there objects in the phenomenology of fake fire? Does it become a burning object when wedded to a speaker?
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How long does an imagined fire burn for, and what is its behavior?
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re: response
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What is the physiological response to an outdoor sound-image of fire at a site where fire is a threat? What does a sound projection of fake fire substitute in this case?
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re: imaginary value and falsehood
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Can a convincing representation of the sound of burning resist content identification beyond imagined burning objects? If so, for how long, and what effect does this have on memory?
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Does listening to fake fire contribute to a burning desire for sensory enlargement?