Connor Ross is a sound designer, composer and musician who focuses on space and auditory textures in his creative practice. With an ongoing focus on ambisonic and surround sound use in theatre, installations and music production, Connor’s work emphasises immersion within worlds. Some of his recent theatrical credits have included work on: Lobby Hero (Dir. James Vinson, Around The Moon Productions, 2019); Lake Disappointment (Dir. Gavin Rach, Melbourne Fringe, 2019); My Wife Peggy (Dir. Gavin Roach, Gasworks Premiere, 2019); We Were There (Dir. Dirk Hoult, Tilted Projects, 2018); Macbeth (Dir. Simon Phillips, Melbourne Theatre Company, 2017).
