Erin K Taylor’s practice creates social and psychophysiological disruptions within the local perceptual environment, reinforcing the body as site of production of her work. Interrupting the passivity of the spectator through the use of participatory strategies, Erin’s works are designed to invite engagement rather than inflict it in an examination of alternate power models.
Informed by a dual practice as drummer/electronic musician she creates work focused on rhythm and noise aimed at extending listening practices and drawing attention to one’s self as a part of the surrounding environment.
